|||||||||||||||||||||||||||||
||| melon 'n lemon ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
[[inside]]

bloglife
contact



Public Domain Dedication
This work is dedicated to the Public Domain.

[[elsewhere]]



[[before]]

01 / 2005
10 / 2004
07 / 2004
06 / 2004
05 / 2004
04 / 2004
02 / 2004
01 / 2004
12 / 2003
11 / 2003
10 / 2003
09 / 2003
08 / 2003
07 / 2003
06 / 2003
05 / 2003
04 / 2003
03 / 2003
02 / 2003
01 / 2003
12 / 2002
11 / 2002
10 / 2002
09 / 2002
08 / 2002
07 / 2002
[[ bloglife archive ]]



» 11/05/2003

¶ the backyard of thoughts. blind without glasses. or just dizzigly rotated blandly.

death or alive.
they want authority.
we want.

my commarades.

what is new is to not believe in/to lac[k]an .
music is the dervish. and oh ah
we are in bed again.

the signified
questionmarked.


(23:45)(comment?)



» 13/05/2003

¶ something peculiar is happening in my head. half a year ago for the first time i heard the conotation control freak. today i have heard it again.

to let your minds flow is daring.
to let your feelings flow is scary.

?

work last week was amazing.
there was a guy that lied straight into our eyes, so what was left is to believe him.

i still believe but in another way.

happy.
in love.

(01:35)(comment?)



» 19/05/2003

¶ after i was stupidly robbed, see the previous two blogs of flash and fire, now finally i am ready to talk about something else.
spent the perfect friday with two brilliant minds. while discussing heavily about the edges of space and time, we were also ready to dance. zvuk broda were delicious while the rest was a bit too populistic for my taste. i am not into funk, neither into nu jazz and similar latino beats. i have no idea why i, from this specific location would prefer latino rather than african drum-tism. it feels very undomestic (unheimlich) here if you listen to latino. this kind of imported eclecticism just doesn't fit well.

the venice biennial is getting closer and closer. the work is still somehow in the control.

before going there we are going to vienna again, for the open cultures conference. my question can be read very exclusive, but instead i prefer to give a discourse proposal for an issue: if all digital art works should be licenced under creative commons licences, according to art history theory?

there are also two more days to the sixth foo bar.

(15:39)(comments:3)



» 20/05/2003

¶ i find this as an extremly fascinating piece of art (found on rhizome rare).
everything: production process, representation, distribution.

+ + +

extreme whitespace
(read between the lines... )

deprogramming.us presents v.1.0 of their perl software, extreme
whitespace. extreme whitespace reveals your linux/unix/macos-x terminal's natural talent as a VJ instrument. typing as performance, rap, sport - even reverse karaoke!

deprogramming.us/exwhindex.html

deprogramming.us is dedicated to celebrating deshackled software
development and culture in the post-dotcom renaissance. don't let the
dotcom bust you - cast off your markov chains and start deprogramming!

more on the deprogrammers' lofty views on programming culture and
psychiatric drugs can be found at:
runme

hey! extreme whitespace makes its performance debut featuring Übergeek on May 31st at read_me 2.3 in Helsinki.
special bonus: a really wee introduction to BeepMusic @ read_me

(21:21)(comment?)





[06 / 2003] - archives - [04 / 2003]
powered by tsocode-lite